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HERE'S MY PERSONAL BEST RESOURCES TO KNOW MORE ABOUT LIGHT AND SHADOWS, PLEEEAAAAASE CHECK THESE LINKS BEFORE ASKING ME STUFF I DIDN'T COVER:
[link]
[link]
[link] all three made by awesome :iconfox-orian:


And here's the link to get Andrew Loomis' books as a .PDF-file: [link]

okay enough with the caps...

MOAR TUTORIALS/GUIDES:

PIGMENTS AND PIXELS:
Part 1:[link]
Part 2: [link]
Part 3: [link]

MANGA to REALISTIC:
Part 1: [link]
Part 2: [link]
Part 3: [link]
Part 4: [link]
Part 5: [link]
Part 6: [link]
Part 7: [link]
Part 8: [link]
Part 9: [link]
Part 10: [link]
Part 11: [link]
Part 12: [link]

UNDERSTANDING ANATOMY:
Part 1: [link]
Part 2: [link]
Part 3: [link]
Part 4: [link]
Part 5: [link]


And no sorry if I didn't cover "shading hair" and stuff like that, READ THE HAIR TUTORIAL ABOUT THE "LAYERS" AND DO THE THINKING YOURSELF!:heart: :3

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August 13, 2011
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:iconenbi-to-miruku:
~Enbi-to-Miruku Mar 2, 2013  Student General Artist
Yes yes yes! Finally! I've always wanted to create shapes with light and sha- ah, I mean, the values, instead of just drawing lineart. Gosh it's so not easy, but you already made it a tad easier so I must do my best x3

by the way, somehow, that 'smiley object' of yours looks really creepy to me 0.0
Reply
:iconfoervraengd:
=FOERVRAENGD Mar 6, 2013  Student General Artist
that smiley object might be a case of "uncanny vally" effect perhaps? ;)
Reply
:iconsweetjustabit:
~SweetJustABit Sep 3, 2012  Hobbyist General Artist
I downloaded the books by Andrew Loomis.
They helped me a lot.
Thanks for providing the link ^^
Reply
:iconfairy-rose14:
*Fairy-Rose14 Jul 15, 2012  Hobbyist Digital Artist
i have to say i totaly love your tutorials !! there are so helpful !
Reply
:icondarkside-ky:
When you say "Don't waste your time trying to make your drawing identical to the object you observe", it makes me a bit confused.

Ever since the art classes I've taken in college and high school, I've had a hard time mentally working my way around the concept of values.

I've always taken an object AND it's values as ONE thing...that's why it feels confusing. I suppose you can draw the same object and give it different light values, but that's hard to visualize mentally in art composition unless you have an adjustable light source.

Often times my friends say my work is rushed...and while I like things that are glossy (read: shiny)...sometimes there's too much gloss and it becomes unrealistic or has no depth to it...can you maybe give me some advice for "making your own compositions" in terms of value? Like, what limitations there are to light and what's considered "too much light" or "too much shadow" resulting in a flat surface?
Reply
:iconfoervraengd:
=FOERVRAENGD Jun 19, 2012  Student General Artist
I don't really have the time right now to help you with your problem, however, if you're looking for help to avoid "flat" values, then this guide might help you: [link] it covers mostly digital art, but a lot of what is said in the guide applies to traditional artists as well.
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:iconcircusclownx:
Mood: Love ~circusclownx May 8, 2012  Student Digital Artist
i love all ur tutorials thnx 4 making them :)
Reply
:iconaymiah:
can I just say I love you for referencing "this is not a pipe" c:
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:icondark-sunlight72:
WEE SUNRAYS!!!!
Reply
:iconzexion-for-tea:
~Zexion-For-Tea Sep 15, 2011  Hobbyist Traditional Artist
Do you shade a girl in the same places you shade a guy?
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